Paper has always fascinated me for its ability to transform itself. As a designer, I began experimenting with papier-mâché as a structural material, creating unusual and exceptionally lightweight pieces — where paper, metal and stones coexist in a harmonious and emotive balance. This is how Bodyfurnitures was born: jewellery conceived as wearable micro-architectures, designed to engage with the body, movement and space.

Bodyfurnitures bridges formal research, goldsmith tradition and innovative craftsmanship. Papier-mâché — lightweight yet surprisingly resilient — is shaped entirely by hand through modelling, sanding, painting and lacquering, until surfaces become compact and luminous. Forms evolve from natural inspiration toward abstract, modular geometries — combined with silver, copper and gold structures set with precious stones in balanced, dynamic compositions.
The work questions where lightness ends and preciousness begins. Bodyfurnitures explores jewelry as a wearable argument: that beauty lives precisely in the tension between things that should not belong together.